Danaë Xanthe Vlasse, composer
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    • Selected Piano Works >
      • Early Lev: Valse #1
      • Early Lev: Valse #2
      • Inter Level: The Golden Lyra
      • Inter Lev: Nocturne #1
      • Inter Lev: Nocturne #2
      • Early Adv. Lev: Nocturne #3
      • Inter Lev: Nocturne Pour Caline
      • Inter Level Duet: Sonata for 4 hands
      • Late Inter Lev: Prelude #2
      • Selected Vocal Works >
        • Neptune
        • Reverie
        • The Lady of Shalott
      • Inter Lev: Prelude #3
      • Adv Lev: Prelude #1
      • Advanced Level: Fantaisie #1
      • Advanced Level: Fantaisie #2
      • Advanced Level: Fantaisie #3
      • Adv Lev: Intermezzo D'Anniversaire
      • Adv Lev: Rhapsodie D'Anniversaire
      • Adv Lev: Sonata in f# minor
    • Selected Choral/Chamber Works >
      • Tithes of Beauty (Choral Work)
      • One Heart (Choir, Soprano, Piano)
      • Rainbow Nebulae (Choral work)
      • Compassion (Choir & 2 Sopranos)
      • Nocturne Pour Caline (String Quartet & Soprano)
      • Nocturne Pour Caline (Violin&Piano)
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Prélude #1

Listen to this piece on Spotify.

Prélude #1 by Danaë Xanthe Vlasse

For Advanced-Level pianist, approximately 4’14 min long.

Program Notes :

This first Prelude was inspired by a particular theme on two notes “C & A” and it explores a vast emotional arc around this theme. The extreme simplicity of the two “thematic C & A” notes is contrasted by rich, flowing harmonies. The theme develops in the middle section by extending the original idea into a longer secondary melody, and in the final section of the piece the theme is then layered against a “twinkling” countermelody. The piece is shaped emotionally with an arc of dramatic growth which peaks with passion in the center of the work, and is surrounded (at the opening and again at the end) by tenderness and reflection.

The wonderful technical challenge for the pianist is found in the frequent hand crossing of the arpeggios, as well as in the voicing challenge of carrying the development of the melodies through the thick texture in the middle of the piece. There are many opportunities to explore the use of advanced pedaling techniques (shallow pedal depths and partial clearing), tempo rubato, and to shape phrases with Romantic abandon – thus allowing each performer much room for personal expression! Listeners are quick to enjoy this relatively short yet ‘mature’ work full of emotional colors!




Many of Mrs. Vlasse's compositions are published by bpr music. Contact the composer to obtain scores for anything not sold through bpr music. 
Copyrighted Material Announcement:
All Photos, Music, and other content on this website is the exclusive property of Danae Vlasse; any unauthorized use constitutes copyright infringement. 

Rights Owner Declaration

Purpose of the Declaration:
The purpose of the Declaration is to inform potential users of sound recordings for text and data mining--which may be used to develop certain AI models--that rightsholders of those sound recordings do not authorize that use without a direct license between the user and the rightsholder. For example, the European Union has passed a law, Article 4(3) of Directive (EU) 2019/70, that may permit certain uses of copyrighted content for “text and data mining” without a license, unless the rightsholder has reserved its rights with respect to such use, or, in other words, opts out of the text and data mining exception. Please read the entire Declaration carefully to understand its full scope.

Declaration: 
I, Danae Xanthe Vlasse, as a rightsholder who owns, controls, or represents rights in sound recordings, phonorecords, and any other content using, derived from, re-recording, sampling or incorporating any element or portion of the same (including, without limitation, excerpts, portions, samples, parodies, medleys, mashups, re-recordings, and remixes derived therefrom, and any other related data) (together, the “Sound Recording Content” and such rightsholder, a “Rights Owner”) make the following declaration:

I expressly prohibit, reserve my rights in respect of, and opt out of any text and/or data mining, web scraping, or similar reproductions, extractions, modifications or any other uses whatsoever (“TDM”) of any Sound Recording Content, regardless of how such Sound Recording Content is sourced, recorded or obtained, for any purpose, including for the training, development, deployment or commercialization of any AI system, and by any means, including the use of (or permitting, authorizing, or attempting the use of) bots, scrapers, or other automated processes, to the fullest extent permitted by applicable law in all relevant jurisdictions. Such laws include, without limitation, Article 4 of Directive (EU) 2019/790 and all national laws related to or having implemented the same or similar laws. This rights reservation applies to all existing and future Sound Recording Content, including as may be notified to you, identified through publicly available means, or listed from time to time in this database.

This rights reservation supplements and is without prejudice to my rights under Article 5(5) of Directive (EU) 2001/29 and its  implementing legislation in all EEA member states, and any similar or equivalent provisions in other laws, treaties and international agreements, and any copyright or other relevant law in any jurisdiction providing the same or similar protections of or exemptions to the exclusive rights of rightsholders now or in the future.

Through this declaration, I have expressly reserved my rights in relation to any Sound Recording Content save as specifically and expressly authorized by the relevant Rights Owner. I am giving notice that any unlicensed use of the Sound Recording Content, for example in relation to the development and/or use of generative AI models and systems, constitutes a violation of the copyright and other related rights subsisting in or relating to any such Sound Recording Content. I do not permit or support the unlicensed access and exploitation of creators’ works for AI training, use or output.

For the avoidance of doubt, this reservation of rights supplements and is without prejudice to any other reservation of rights any Rights Owner may have made, be making, and/or make in the future elsewhere or through any other means.
Photo from KJGarbutt
  • About
    • Reviews & Awards
    • Summary C.V.
  • ALBUMS
    • Buy Albums
    • MYTHOLOGIES II >
      • Mythologies II - Interviews
    • FYC
    • MYTHOLOGIES >
      • MYTHOLOGIES, Artists
      • Digital Booklet
    • Poeme >
      • Poeme Lyrics
      • Behind The Scenes
  • Contact
    • Commission Music
  • Press/Media: EPK
  • Interviews
  • Performances
  • VIDEOS
  • Selected Music
    • Selected Piano Works >
      • Early Lev: Valse #1
      • Early Lev: Valse #2
      • Inter Level: The Golden Lyra
      • Inter Lev: Nocturne #1
      • Inter Lev: Nocturne #2
      • Early Adv. Lev: Nocturne #3
      • Inter Lev: Nocturne Pour Caline
      • Inter Level Duet: Sonata for 4 hands
      • Late Inter Lev: Prelude #2
      • Selected Vocal Works >
        • Neptune
        • Reverie
        • The Lady of Shalott
      • Inter Lev: Prelude #3
      • Adv Lev: Prelude #1
      • Advanced Level: Fantaisie #1
      • Advanced Level: Fantaisie #2
      • Advanced Level: Fantaisie #3
      • Adv Lev: Intermezzo D'Anniversaire
      • Adv Lev: Rhapsodie D'Anniversaire
      • Adv Lev: Sonata in f# minor
    • Selected Choral/Chamber Works >
      • Tithes of Beauty (Choral Work)
      • One Heart (Choir, Soprano, Piano)
      • Rainbow Nebulae (Choral work)
      • Compassion (Choir & 2 Sopranos)
      • Nocturne Pour Caline (String Quartet & Soprano)
      • Nocturne Pour Caline (Violin&Piano)
    • Purchase Scores
  • Services
    • Commission Music
    • Production Consultant Services
    • Educational Services
    • Artist Management